"What would you do if you got to him?"
I had just returned from a night out at the BFI Mediathque. I meet Glynne there from time to time and we generally watch a lot of 1970s television together. Weird stuff mostly, some puzzling game shows, some awkward children's television. We had recently been preoccupied with a show called London Bridge. It was a Saturday morning TV show, designed for teenagers, made between 1974 and 1975. It's hilarious and stilted, quite often, featuring a cavalcade of stars and heartthrobs that would have made the average 70s teenager wheeze.
The distinction between adult and teenager becomes increasingly apparent when watching this show. Every segment is a kind of heavy-handed suggestion of something kids can "do" with their lives, whether that's journalism, nursing, veterinary science or acrobatics. They have a team of teenagers, sitting on the set, politely waiting their turn to ask their carefully-crafted question in a soft cockney whisper. Occasionally they are forced to step up and volunteer themselves for garish haircuts and/or makeovers by overbearing adults, often pushing weird or problematic agendas.
One specific episode struck me and I promptly made notes about it as soon as I came home. It was an episode where the Bay City Rollers were guests in the studio. The girls on set were especially jittery, their cheeks glowed a purplish red as they pawed nervously at their tartan scarves. They were, after all, sitting thigh by thigh with their favourite pop stars. You would have thought it would have been like any other interview, but then the bodyguards of the Bay City Rollers were introduced to the show.
The host cut to clips of the Bay City Rollers stepping out onto the tarmac, being greeted by legions of hysterical fans, just as if it were ten years before with John, Paul, George and Ringo (or maybe six months before with Freddie, Brian, Roger and John?). You couldn't help but cackle at the sheer scale of it. No offence to any Bay City Rollers fans but the hysteria seemed disproportionate to the actual handsomeness of the musicians concerned, but then, I am especially shallow and hard to please.
Instead of asking any questions to the fans or the group, the host looked to the band's bodyguards, questioning them about how you become a bodyguard and what it is like to travel from city to city, protecting pop musicians. The discussion turned to the rabid behaviour of the fans, throwing themselves onto cars and crying. One of the bodyguards turned to one of the girls and said, "What would you do if you got to him?" She stuttered, almost tearfully, "I don't know, I just love him..."
It was a diabolical scenario, what maniac thought this up? What would it have been like to be seated with your favourite musicians, only to be confronted by thuggish henchmen? How could you possibly account for the rabid behaviour of other teenage fans, when you're containing your lust so calmly? "What would you do if you got to him?". I wouldn't dignify that question with a response, after all, such a prompt is worthy of scrutiny only among the closest of friends, lying in the darkness on the floor of a sleepover.
Such discussions would no doubt involve detailed scenarios, dreams of what it'd be like to be face to face, hip to hip, cheek to cheek. Such admissions featured in Fred Vermorel's sociological study, Starlust: The Secret Lives of Fans. Published in 1985, the anonymity of the admissions revealed the depth, the meaning and the clarity of those daydreams. Usually, but not always, that fangirlism provided solace against the backdrop of terrible grief and loneliness.
If I could go back and advise those girls on London Bridge, I would tell them not to be rattled by those bodyguards, not to fazed by their bullish interrogation tactics. I would give them permission to obliterate their calmness and scream, scream their lungs out, just like the girls on the tarmac. They had just met their favourite band! They had just sat alongside them! Knees touching knees! Feet touching feet! This will be a day they'll remember forever.
Cassettes & Chocolate Milk: Baroque Pop Podcast #72
Jethro Tull - Bourée
Amazing Blondel - Highwayman
Cat Stevens - Moonstone
Carpenters - Mr Guder
Paul McCartney - Dear Boy
Andrew Bird - Roma Fade
Vashti Bunyan - Come Wind Come Rain
Enya - Caribbean Blue
Lindisfarne - Lady Eleanor
Jacqueline Taieb - Ce Soir Je M'en Vais
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1 comment:
Nice mix as always. Say Hi sometime, would like to know how your Eurovision adventure went.
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