This line reminded me of a mix I had put together called Dancing on the Night Wire. It features copious amounts of Per Gessle demos and sketchy Kino recordings, all reminiscent of a bedroom recording from 1984. It features human imperfections, but I seek out another kind of clumsiness. It's in the thin production, the super gawky synths, the tinny drums and the double tracked oohs in the background.
The dream would be to analyse each of these songs, to take them apart in order to figure what kinds of instruments they use and what kinds of hooks they employ. I'd even bask in the lyrical themes and dramatic lexicon. I'd slavishly strive toward a perfect kind of imperfect, all while being mindful that at some point, I would need to stop replicating these other artists and accept my own unique brand of mediocrity.
I store these songs in some imagined dream space in my mind, somewhere between Sweden and the USSR in the 1980s. It only just occurred to me that the midpoint between these two countries is Finland. Perhaps that's one reason that I came back with C&CM Finnish Podcast #65. The country exists as another kind of dream space, one where the days never really got dark, back when it was still possible to go outside and cackle together for hours.
To some listeners, some demos would be too shabby to exist, but for me, so many of these rough sketches reveal a modest kind of beauty. The recording is created when the artist is in a state of flow, yet the imperfection of the recording betrays an uncomfortable creative midpoint. I wonder how these demos came into existence. I wonder how is it possible to press record when the inner-perfectionist never leaves you alone?
Dancing on the night wire, Turku
Cassettes & Chocolate Milk: Finnish Podcast #65
Leevi and the Leavings - Pohjois-Karjala
Kaseva - Mari
Jukka Nousiainen - Jukan tehdas
Litku Klemetti - Sinä tiedät sen
Digital Dance - Cairo C
Dingo - Autiotalo
Eppu Normaali - Joka päivä ja jokaikinen yö
Leevi and the Leavings - En tahdo sinua enää
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